A field report for Mike Upton & the Kala ʻohana — the instruments you gifted walked the whole country this autumn, and every stop has the pictures to prove it.
ETHGlobal Tokyo · ZuCity Japan, Komoro · Burning Japan — Art Sanctuary & Official Sound Stage
Autumn 2026. From a Tokyo hackathon floor to mountain community circles in Nagano to a dusty ranch under the volcano — the Kala instruments you placed in my hands played every room, every circle, and every stage Japan offered. This page is the receipt, with love: every photo and clip below comes straight from the road. The full story & proposal lives at shakaleikaumaka.com/kala.
Three days inside one of the biggest builder gatherings on earth — and the Kala table became the venue's heartbeat. Instruments laid out like an open invitation, hackers strumming between commits, and at 2 in the morning a builder holding his first ukulele like it was treasure. Because it was. The gift circle never really closed all weekend.
Weeks of community gatherings in the mountains with the ZuCity Japan family — popup-city builders, dreamers, and neighbors. Multiple gatherings, and the ukuleles played them all: the gig bag hanging by the little stage under the disco ball, the circles running past midnight into the mountain quiet — and one Saturday night, our own show: two stages across the street from each other, DJ Colorfly on the decks, the whole town walking back and forth, keep dancing. In Komoro, the instruments stopped being guests — they became furniture of the heart.
Five days off-grid on a ranch in the Gunma mountains — and the ukuleles did the double shift: sets at the Art Sanctuary among the painted boards and prayer flags, and music on the official sound stage, drums on the grass and all. The instruments watched the sunrise over the valley, rode the exodus, and came home dusty and happy. Leave no trace — but leave a song.